Pao Houa Her: The Imaginative Landscape Satellite Exhibit

By College of Humanities and the Arts, Dr. Martin Luther King Jr. Library

Wednesday, November 12, 2025

+ 8 dates

  • Thursday, November 13, 2025
  • Friday, November 14, 2025
  • Saturday, November 15, 2025
  • Sunday, November 16, 2025
  • Monday, November 17, 2025
  • Tuesday, November 18, 2025
  • Wednesday, November 19, 2025
  • Thursday, November 20, 2025

150 E San Fernando St, San Jose, CA 95112

https://library.sjsu.edu/exhibits #sjsulibrary
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Join the SJSU King Library and the San José Museum of Art to experience a special satellite exhibit that explores the intersection between art and advertising.  

On display and integrated among campus advertising on the 4th and 5th floor digital screens of the Dr. Martin Luther King, Jr. Library in addition to various locations in downtown San José, is the first major exhibition of Pao Houa Her’s photographic practice, Pao Houa Her: The Imaginative Landscape. The exhibit traces the artist’s deepening exploration of diasporic constructions of homeland among her Hmong American community.

Visit the San José Museum of Art between July 11, 2025- February 22, 2026 to experience the full exhibit. Pao Houa Her: The Imaginative Landscape is an unconventional survey of over 20 years. Seen through the expansive titular series, it traces conceptual ties between past series, new work, and work still under development, connecting California agricultural landscapes to the jungles of Laos, poppy fields in Minnesota, and beyond. The exhibition is co-organized by Lauren Schell Dickens, chief curator at SJMA, and Jodi Throckmorton, chief curator at John Michael Kohler Arts Center in Sheboygan, Wisconsin, and will be presented at both organizations simultaneously.

Pao Houa Her’s practice engages with the legacies, potentials, and aesthetics of landscape and portrait photography traditions, examining the complex intertwining of desire, homeland, and artifice. Rooted in the experience of her Hmong community and shaped by family experiences and lore passed down by her elders, Her’s work centers women as the knowledge bearers of both past and future. Using a formally rigorous photographic approach, Her explores constructions of homeland that resonate across diasporas.

 

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